#The love witch serial#

In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. But thatвЂ™s all youвЂ™ll want to do, in between cheering. Elaine, a beautiful young witch, is determined to find a man to love her. вЂDonвЂ™t diagnose me!вЂ™ Elaine spits at a conquest. вЂThe Love WitchвЂ™ ends on a daring note of psychosis, launching the film into the uneasy company of David LynchвЂ™s вЂMulholland DriveвЂ™. And nobody, it turns out, plays it better than Elaine does. BillerвЂ™s dialogue is intentionally stilted she draws attention to the banal come-ons that once passed for romantic repartee, but also to the contortions that women had to strike in order to play the game.

#The love witch serial#

We also learn pretty quickly that sheвЂ™s a serial killer.Д®laine makes her way through a parade of male caricatures вЂ“ a French literature professor, a frustrated married man, a lantern-jawed cop вЂ“ but sheвЂ™s always in control, toying with their sense of entitlement. If anything, ElaineвЂ™s got more magic than most, casting sexual spells over unlucky men. Samantha Robinson (looking like sheвЂ™s stepped out of a centrefold) stars as Elaine, who drives up the California coast away from her failed marriage. вЂThe Love WitchвЂ™ is cloaked in a retro wardrobe and soundtrack (much of the music, by Ennio Morricone, is sourced from вЂ™60s thrillers) but is loaded with irony and a fluid sense of identity. But Meyer could never make a psychodrama as sophisticated as this. Due to her lack of experience with magic, the spells always backfire and leave any man. Desperate for a man in her life, she uses spells and potions to hypnotise men into being her adoring love-slaves. Elaine was originally an ordinary woman who turned to paganism after losing her husband. Her work, including 2007вЂ™s вЂVivaвЂ™ and now the hugely entertaining вЂThe Love WitchвЂ™, seems plucked from the same Playboy-era universe of huge hairdos, heavy make-up and voracious female appetites. Elaine Parks is the protagonist of the 2016 cult film The Love Witch. Writer-director Anna Biller is clearly a fan of the powerful women in Russ MeyerвЂ™s sexploitation movies вЂ“ films like вЂFaster, Pussycat! Kill! Kill!вЂ™ (1965).